Thursday 25 August 2011

Vintage packaging design

Creative Review's recent article on Sainsbury's packaging of the 60's and 70's is fascinating. I knew very little about Sainsbury's brand's history and am guilty of discounting its creative potential both now and in the past. 


It's interesting to compare their design outcomes midst the strict and somewhat bland branding used by supermarkets these days. The "predominance" of the illustrations and the fact that the "typeface choice was left to the designer" are indications of how much these large corporations have altered their approach. 





I can't think of any UK supermarket that produce enticing designs (perhaps bar Waitrose with some of their designs). 




It's now largely left to independent to think outside the corporate box. If I was to play devils advocate I might argue that Sainsburys own-brand packaging of 2011 communicates simplicity using a contemporary vernacular; design has progressed and it wouldn't work to reproduce modernist designs. We all can recall the white and orange Sainsbury's basics range and for that reason it achieves it's function of communicating value. But I think it would go along way for Supermarkets to try something a little more stimulating for the consumer.


As branding gets tighter and tighter I hope that the independent brands won't go the same way. Look what's at stake...




Designs produced by a recent packaging redesign from the French Supermarket Monoprix 
Innocent Smoothie - Won a D&AD Pencil for these designs in 2010


Fun packaging from Jamie Oliver







These designs from RAW Health  are as"alive and active" as the nutrients in their bars 

There is a blog post relating to the magazine article, check it out http://creativereview.co.uk/cr-blog/2011/august/sainsburys-own-label-book

Wednesday 3 August 2011

Vintage Festival Southbank 2011

Here are a couple of drawings I produced as part of my mini residency at the Southbank Centre's Vintage Festival last weekend. I am thrilled to have been part of such a fantastic event and feel it has provided me with almost too much inspiration to capture on a page! This, then is the start of a much bigger project that will develop my first findings. So, keep your eye out for more in the future!



Having created a largely typographic piece, I found myself being drawn to the various vintage typefaces that peppered the festival in the stall holder's logos, the bric-a-brac stalls and the brilliant Southbank signage created by the amazing Morag Myerscough. Here are some of my snaps of the type I found and lovely people I met.